Lagos has quietly become one of the two or three most important cities in the world for contemporary African art, and almost none of that is legible from the outside. There is no museum mile, no obvious cluster. The important spaces are scattered across Ikoyi townhouses, Lekki side streets and one legendary five-storey building in Lekki Phase 1 that contains more art than most national collections.
For anyone new to the city, galleries are an underrated way to meet people. Openings are free, they are announced on Instagram rather than anywhere findable, and the crowd is a mix of artists, collectors, expats and curious locals who are all standing around with a drink and no particular agenda. Turning up alone to an opening is completely normal here in a way that turning up alone to a club is not.
